The Digital Naturalist

I have an utterly absurd amount of stuff to finish before I head to North Carolina on Thursday for the ScienceOnline2011 conference in Research Triangle Park. But although I don’t have anything new of my own to share at the moment, I don’t want to let my frenzy of commitments and deadlines get in the way of sharing what OTHER people are accomplishing…

first captured my interest a few weeks ago. The Digital Naturalist is a group blog maintained by Amy Marquis, Tyler Stableford, Scott Kirkwood, and . They analyze current trends in video and multimedia, particularly as applied to conservation and other advocacy issues. On the site you’ll find lots of thoughtful discussion of videos (with links to the videos being discussed), and insightful commentary on the world of advocacy through digital media.

Witness: Defining Conservation Photography

As most nature photographers — and an increasing number of folks outside the photographic community — know, the International League of Conservation Photographers (iLCP) is a collection of some of the most gifted photographers in the world, dedicated to promoting conservation with their work. The term “conservation photography” is so new that many people, even photographers, don’t really know quite what it means.

The iLCP has released a new film called “Witness: Defining Conservation Photography,” which tackles this topic — what is conservation photography? The film was directed by iLCP Associate Neil Ever Osborne (who, with any luck, will be helping us teach this year’s ESA “Photography for Ecologists” workshops in Austin, TX), and features some truly stunning images and candid interviews with many of the world’s top conservation photographers. It’s definitely worth watching!


from on .

iLCP also just revamped its website, and the new version is functional and attractive. Check it out to learn more about the League and its projects!

The shoe is on the other foot!

African Skimmers (Rhynchops flavirostris) flying over the Okavango Delta. Winning photo by Lee Whittam.

Because of my recent cover shot in the February 2011 issue of Birder’s World magazine, I had the opportunity to be a guest judge in the Birder’s World Photo of the Week contest. The editors of Birder’s World choose one image per week from an international pool of submitted images. Then, every 2 months, a guest judge selects the bimonthly winner. At the end of the year, the six bimonthly winners compete for the annual Grand Prize. I was the Grand Prize winner back in 2006, with an image of a Red-winged Blackbird (Agelaius phoeniceus) singing at sunrise… So it’s pretty cool to be a judge now! You can see my choice for the November/December bimonthly winner here.

I also wanted to thank all of you for your support in 2010. It warms my heart to look at my Google Analytics stats and find that people are actually visiting my blog :) I started this blog back in February, and it’s been a great first year. There are lots of exciting things coming in 2011, so please keep reading. Happy New Year!

- Neil

Bird Babble, Not Babel: Competing species may speak the same language

As any serious birder will tell you, bird songs and calls are often the best – and sometimes the only – way to tell bird species apart in the field. In the central Great Plains, for example, Eastern and Western Meadowlarks (Sturnella magna and S. neglecta) look nearly identical. But as soon as they sing or call, they can be told apart easily.

Western Meadowlark (Sturnella neglecta) singing in California. Where this species occurs alongside the Eastern Meadowlark, they are best distinguished by voice.

Because male birds often use song to attract females, biologists have historically thought that natural selection should favor divergent songs in species that occur together (i.e., sympatric species). Males with songs that differ substantially from those of closely related sympatric species would be less likely to pair accidentally with females of another species. Since hybrid offspring often suffer fitness costs relative to offspring whose parents belong to the same species, males with the most unambiguous songs would, on average, have the highest-quality offspring. Therefore, we expect closely related, sympatric bird species to evolve quite different songs – like the meadowlarks.

But this is not always the pattern, and one fascinating exception was described recently from the Amazon basin: a pair of Amazonian antbird species in the genus Hypocnemis. These birds are being studied by evolutionary biologists Joseph Tobias and Nathalie Seddon at Oxford University’s Edward Grey Institute of Field Ornithology.

In a paper published last year in the journal Evolution, Tobias and Seddon describe geographic variation in the songs, calls, and plumage of the sympatric Peruvian Warbling Antbird (Hypocnemis peruviana) and Yellow-breasted Warbling Antbird (Hypocnemis subflava). Since these common names are a bit of a mouthful, I’ll stick with the Latin: peruviana and subflava.

In the late 1960s, ecologist Martin Cody proposed an evolutionary mechanism by which competing species might converge in color or song. Many birds are territorial – that is, they defend an area against other individuals of their own species. Some species also treat members of other species as territorial rivals. Why would they do this? Cody argued that this “interspecific territoriality” would occur for the same basic reason that territoriality made sense within species… because exclusive access to a small space is often better than non-exclusive access to a large space.

Imagine that you’re a bird provisioning your young. The ravenous chicks are in a nest in the center of your territory, so in order to feed them, you have to forage in your territory and transport food back to the nest. Now, suppose you live alongside another bird of your species. It feeds its chicks exactly the same kind of food that you feed yours. If you both forage in the same large area, you will each have access to half of the total available food. If instead you divide the large space in half, and each restrict your foraging to your own half (i.e., your “territory”) you also have access to half of the food. Same difference, right?

Not quite. In the second scenario, because your territory is smaller, the distance traveled to and from the nest is reduced. Moving around the territory can be costly – it requires time and energy, and it exposes you to predators. So, assuming that negotiating the territory boundaries with your rival is less costly than traveling around a large shared space, the territorial strategy is better for everyone than the space-sharing strategy.

A chestnut-backed Antbird (Myrmeciza exsul) visits its nest in Corcovado National Park, Costa Rica. Traveling to and from the nest can be risky business.

Now, suppose your rival doesn’t feed its young exactly the same things that you do (e.g., your neighbor belongs to a different, but closely related species). In this case, the payoff of sharing a larger territory is greater than before. Why? Because some of the food that your rival consumes is food that you wouldn’t be using anyway. Since the payoff of the space-sharing strategy is higher when your neighbor belongs to another species, the alternative strategy – interspecific territoriality – is less common than intraspecific, or within-species, territoriality.

Nevertheless, if the costs of traveling around the territory are high, and the costs of negotiating the territory boundaries are relatively low, then defending exclusive “interspecific territories” may still be the best solution for all parties – especially if the two species use fairly similar resources. Cody argued that in such situations, natural selection would drive convergent evolution in songs or other traits used to recognize competitors. Recognition across species boundaries, he reasoned, would enable effective territorial communication. In 2009, we published a basic computer model that demonstrated that Cody’s verbal predictions could be replicated in a simulated environment (Grether et al. 2009).

Unfortunately, empirical evidence for convergent evolution driven by this mechanism – as opposed to mimicry or another well understood evolutionary process – is not especially strong. But Tobias and Seddon’s antbirds provide some new and compelling evidence for this process.

Antbirds (Thamnophilidae), unlike many songbirds, do not seem to learn their songs; this makes them good subjects for studying the evolution of song. Occupying partially overlapping ranges in Amazonia, peruviana and subflava tend to occupy slightly different habitats, but they can nevertheless be found side by side where their ranges overlap. Each species responds aggressively to the others’ songs, and even experienced ornithologists consider their songs to be virtually indistinguishable.

Spectrograms of male territorial songs in Hypocnemis peruviana (A) and H. subflava (B). Figure adapted from Tobias and Seddon (2009). Territorial songs are quite similar between species.

Using dozens of recordings of each species, Tobias and Seddon showed that the songs of peruviana and subflava overlapped in each of 20 measured acoustic parameters. Even a statistical model designed to tell the two species apart, using all 20 parameters, got the species wrong almost 20% of the time. Some vocal traits were more similar between sympatric peruviana and subflava in locations where they both occurred than in populations where only one species was present, suggesting that their vocal similarity may be related to their interactions where they co-occur.

Non-territorial calls of Hypocnemis peruviana (A) and H. subflava (B). Figure adapted from Tobias and Seddon (2009). Non-territorial calls are highly divergent between species.

But more compelling than this geographic variation in song was the contrasting pattern observed in a non-territorial vocalization and plumage color. These traits were highly divergent between peruviana and subflava, which is unsurprising since the species last shared a common ancestor an estimated 3.4 million years ago. Yet despite the substantial divergence in these traits that are not involved in territorial interactions, the territorial songs were quite similar between these competing species.

In Hypocnemis antbirds, like many tropical birds, males and females both participate in territory defense, which occurs year-round. Remarkably, exactly the same pattern of variation was found in female traits as in males – the two species differed dramatically in courtship vocalizations and color, but had extremely similar territorial songs.

Male Hypocnemis antbirds in the hand; H. subflava (C) and H. peruviana (G). Figure adapted from Tobias and Seddon (2009). Plumage color is quite divergent between species.

This study cannot distinguish between convergence per se versus a failure to diverge (there is no way to know what the songs of these species sounded like in the distant past). Nevertheless, even a failure to diverge over 3.4 million years of evolutionary history is striking, especially in light of the substantial divergence in the vocal and visual traits that are not involved in territorial communication.

Tobias and Seddon have documented one of the most convincing examples yet of what we have termed “agonistic character displacement” or ACD – evolution that’s driven by aggressive interactions between sympatric species. Several members of the at UCLA are studying ACD in a variety of species (including me, with my work on anoles). We hope to learn how widespread this process is, and how important it has been in creating and maintaining diversity in animal signals and other traits.

Literature cited:

Tobias, J. A. and N. Seddon. 2009. Signal design and perception in Hypocnemis antbirds: Evidence for convergent evolution via social selection. Evolution 63(12):3168-3189.

Grether, G. F. , N. Losin, C. N. Anderson, and K. Okamoto. 2009. The role of interspecific interference competition in character displacement and the evolution of competitor recognition. Biological Reviews 84(4):617-635.

My first cover shot!

Starting in early January, check a newsstand near you to find the February 2011 issue of Birder’s World magazine. Inside, you’ll find a feature article on Burrowing Owl behavior and conservation, written by me and featuring photographs by me and my friend Mac Stone. I was excited enough about the article – my first feature article in Birder’s World – but I was really thrilled when Associate Editor Matt Mendenhall told me that they had selected one of my photos for the cover!

Check out Editor Chuck Hagner’s write-up of the February issue here, and read the full text of the article here. You won’t get all the photos unless you buy the magazine in print. At this point, I don’t even know how many of my images are used in the interior pages, since I haven’t seen the printed magazine or page proofs. But I assume there are a few!

As it turns out, this will be the last issue under the name Birder’s World. Starting with the April 2011 issue, the magazine will be called Birdwatching. Regardless of the name, it’s a great publication and I look forward to working with them again in the future.

Photos from Down Under

Regent Parrot (Polytelis anthopeplus) feeding on grass seeds near Stirling Range National Park, Western Australia.

A few times a year, I manage to update with a batch of new images. This time, it’s a big one: 169 new pictures, bringing the total collection to 1683 photos. The images on neillosin.com now represent over 500 identified species! There were a lot of new species in this batch, because I spent two weeks in Western Australia this fall… nominally to attend the in Perth (what a hardship, traveling to Australia for work!) but with some excellent birding and photography as a side benefit.

Because this was my first trip to Australia, many of the birds and other animals I photographed belonged to families and higher taxonomic groups that were not previously represented in my collection. I even added a new bird order to my website with this batch – can you figure out which one?

A "motorbike frog" (Litoria moorei), a species apparently named for its raucous call

In addition to the new images, my dad and I added a new navigation feature that I think will be handy. Once you’ve entered an image collection – whether you’re browsing by geographic location, taxonomy, or doing a custom search – you can navigate forward and backward in that collection without going “back” to the thumbnails each time. Simply click the “forward” or “back” buttons to the right and left of the enlarged image. This was something we’d been meaning to do for some time, and we finally got around to it (thanks, Dad!).

To see all of the recent images, click and click the “Recently Added” button. You may have already seen a few of these images (and some of Nate Dappen’s pictures from the same locations) in our Australian landscapes, Australian wildlife, and Yeagarup Dunes galleries. But not all the new images are from Australia. There are new pictures from California, Pennsylvania, and Virginia as well.

I hope you enjoy the new images, and I hope everyone had a wonderful Christmas holiday!

News: NANPA Environment Committee, iLCW

Since I’ve been working on research grants for most of the fall (surely the most grueling component of the scientific process, and I speak as someone who actually enjoys writing!), I haven’t had much time for photography, or anything else really. There are lots of things going on “behind the scenes,” and I promise there’s more interesting stuff coming soon (including some pretty neat peer-reviewed papers I’ve read in the last few weeks). But for now, a few small bits of news:

Last week , Chair of the Environment Committee of the North American Nature Photography Association, invited me to join the Environment Committee. I enthusiastically agreed, and I’m excited that I can be a part of NANPA’s growth and help guide its decisions at a time when nature photography (and its role in conservation and communication) is quickly evolving! If you want to learn more about the NANPA Environment Committee, follow us on Facebook .

And the International League of Conservation Writers (iLCW) has re-published my recent blog entry (“Do mother birds play God?“) on its own blog, . I’m definitely not as good a writer as some of the iLCW fellows, so it’s an honor to have my writing featured alongside theirs!

I’m going to ScienceOnline2011!

I got some exciting news late last week: the blog post I submitted to the NESCent evolution blogging competition, “Do mother birds play God?” was selected as one of two winners! There was some stiff competition, and I’m quite honored that the judges chose my blog among all the great entries (you can see them all ). As a winner, I’ve been awarded a $750 travel grant to attend the meeting in North Carolina next month. It looks like it will be an amazing meeting, full of people committed to engaging the public in science. You can see the full program .

Last week I also received my copy of ‘s book, Decisive Moments. I reviewed the book several weeks ago (based on a pre-press e-book version), and I had been looking forward to seeing the printed book ever since. My assessment of the book’s content hasn’t changed (it’s still full of awesome photography!) but I’m happy to report that it’s also beautifully printed on very nice paper. You can order the book from Scott’s website .

Lots of exciting developments coming over the next month, so stay tuned!

Biology Road Trip, Part 3: Yeagarup Dunes

Google Maps satellite image of Yeagarup Dunes. The whole dune system is moving northeast through the forest at 4-6 meters per year.

Nate Dappen and I spent the last night of our whirlwind tour of Western Australia at a place called Yeagarup Dunes. The dunes are located in , a park on the wild, windswept coast of extreme southwestern Australia. But these are dunes with a difference – they’re not on the coast at all. They’re landlocked.

The Yeagarup Dunes are visible from space as a pristine white patch amidst dense green forest, the largest landlocked dune system in the southern hemisphere (Colorado’s Great Sand Dunes, for comparison, are slightly larger). Imagine a 10-mile-wide sea of sand, moving through the eucalyptus forest of D’Entrecasteaux National Park at a brisk 4-6 meters per year, driven inland by the perpetual winds blowing from the southern ocean. The forest is literally swallowed up by the dunes as they progress inexorably northward.

We spent less than 24 hours at the dunes before we had to return to the Perth airport, but I’m grateful for the time I had; it was one of the most unique, beautiful, and downright surreal places I’ve ever seen. Click here or on the banner below to see a gallery of photographs that Nate and I took during our brief stay.

Do mother birds play God?

Imagine that you’re considering having children. Upon visiting a genetic counselor, you discover that you and your partner both carry the same rare, recessive genetic mutation. While neither you nor your partner shows any symptoms, there is a 25% chance that your child will suffer from a debilitating genetic disorder. Then imagine that the counselor tells you that new embryo-selection technology can ensure that you’ll have a healthy baby; with early-stage genetic testing, doctors can pick a candidate embryo with the right genes and discard the others. This day is probably closer than you realize, and the ethical issues surrounding such technology will no doubt be contentious; some will argue that we shouldn’t “play God” with our reproduction.

But there is a bird in Australia that does just that.

Three male Gouldian Finches are featured in the ViewSonic logo.

The Gouldian Finch (Erythrura gouldiae) is an almost comically beautiful bird of open woodlands in northern Australia, but ironically, it is perhaps better known as the bird featured in the ViewSonic logo — a fitting emblem for a company that sells LCD displays. As if its rainbow-colored body plumage weren’t spectacular enough, the Gouldian Finch comes in three head-color morphs: black, red, and yellow. These morphs occur side by side in natural populations, although the yellow-headed morph is quite rare. , a behavioral ecologist at Macquarie University in Sydney, studies Gouldian Finches, focusing on how the common red- and black-headed morphs coexist in nature.

Gouldian Finches don’t mate indiscriminately with respect to head color. Instead, red-headed females tend to pair with red-headed males, and likewise for black-headed individuals. Biologists call this pattern assortative mating. But what does a Gouldian Finch gain from being choosy about its mate’s head color?

Three male Gouldian Finches. Left to right: red-headed, yellow-headed, and black-headed morphs.

As it turns out, it gains quite a lot. In a paper published in the journal Evolution last year, Pryke showed that offspring of mixed pairs (e.g. a red-headed female paired with a black-headed male, or vice versa) were severely compromised compared to offspring whose parents both belonged to the same head-color morph. Mixed-morph eggs were less likely to hatch and, once hatched, mixed-morph chicks were more likely to die in the first 140 days of life. Among mixed-morph offspring, female embryos and chicks were especially likely to perish. To understand why, you need to know a little bit about bird genetics.

In humans, females possess two X chromosomes, while males have an X and a Y. This makes males the heterogametic sex – “heterogametic” because they have two different sex chromosomes. In birds, however, the situation is reversed; males are ZZ and females ZW. Back in 1922, evolutionary biologist J. B. S. Haldane showed that when a genetic incompatibility existed between parents (e.g., the male and female belonged to different species, or to different morphs within a species), heterogametic offspring typically suffered the greatest viability or fertility disadvantage. This trend became known as Haldane’s Rule, and although its genetic mechanisms are still debated, Haldane’s Rule holds true in most animals.

A black-headed female Gouldian Finch (below) evaluates two males, one red-headed and one black-headed. Photo by Sarah Pryke.

A female Gouldian Finch, therefore, should pair with a male of her own color morph if she can. But if she can’t find a male with her head color, she may be forced to pair with a less desirable male — in fact, as many as 30% of wild Gouldian Finch pairs are mixed-morph pairs. In theory, one way a female finch could make the best of this unfortunate situation is to produce mostly male chicks, since male offspring of mixed-morph pairs are far more likely to survive than female offspring. But can a female Gouldian Finch control the sex ratio of her brood?

Pryke tested this idea in an experiment published last year in the journal Science. She paired females with red- and black-headed males, and examined the resulting offspring. Amazingly, females paired with mates of a different head-color morph produced significantly male-biased broods — 82% male, on average! Does this prove that females can manipulate the sex ratio of their offspring? Not quite… Male-biased broods could result from female embryos dying early in development, and this wouldn’t constitute sex ratio manipulation on the female’s part.

To resolve this uncertainty, Pryke painted the heads of red-headed males black, and paired these phony black-headed males with red- and black-headed females. In this situation, black-headed females produced broods with an unbiased sex ratio, despite their genetic incompatibility with their mates. And red-headed females, mating with compatible males painted to look like incompatible males, produced more sons than daughters. Sure enough, in an effort to maximize their reproductive success, females were actively manipulating the sex ratio of their brood. And they were doing so based on nothing but the appearance of their mates!

The physiological mechanism by which females accomplish this feat is not yet known; this is one of many unanswered questions about these remarkable birds. But our opportunities to answer these questions are dwindling. Gouldian Finches once occurred throughout northern Australia, but they have declined dramatically in the last half-century, mostly because of large-scale habitat alteration by humans. Now only about 2,500 Gouldian finches remain in the wild. Dr. Pryke’s experiments often involve captive birds, minimizing impacts on remaining wild populations.

Studying the reproductive biology of an Australian finch might seem an esoteric pursuit. But in evolutionary biology, lessons learned from one species can be applied to others. And if the Gouldian Finch is any indication… Well, maybe “playing God” isn’t so unnatural after all.

This post has been submitted to the for a travel grant to .

Update 12/14/10: This post was selected as one of two winners of the NESCent contest! You can find all the entries (there were many good ones) . I’m excited to be attending ScienceOnline2011 in January, and I’ll definitely be blogging about it. Thanks for your continued support of my blog; I’ll keep writing as long as people are reading it!

References:
Pryke, S. R. and S. C. Griffith. 2009. Postzygotic genetic incompatibility between sympatric color morphs. Evolution 63(3):793-798.

Pryke, S. R. and S. C. Griffith. 2009. Genetic incompatibility drives sex allocation and maternal investment in a polymorphic finch. Science 323(5921):1605-1607.

N.B. Please do not interpret this post as an endorsement of eugenics. It is not.